Artists' Projects — WorksOnWater

eve mosher

Crip’d Fleets: Overflows + Disruptions, 2021 Triennial Iteration

Crip’d Fleets: Overflows + Disruptions by moira williams

Crip’d Fleets: Overflows + Disruptions is a multi-platform on-going work centering cross disability people, “access intimacy”  and water intimacy asking: ask: “How can the interconnected ecologies of “access intimacy” and water intimacy inform and shape NYC’s Waterfront plans into policies that include accessible ways to the water for and with NYC’s Cross Disability community?”

Access to NYC’s public waterways and accessibility for disabled people to public waterways rarely mean the same thing. Disability Justice believes in looking beyond ADA accessibility and architectural accommodation. Mia Mingus, a Disability Justice scholar and activist coined the phrase “access intimacy” that describes accessibility beyond ADA as an  attitude; “that hard to describe feeling when someone else  ‘gets’ your access needs.” Crip’d Fleets Overflows + Disruptions supports this understanding of accessibility as an attitude, a necessary adaptability best expressed in spaces with flexible boundaries, overflowing, disrupting and messy edges.

Towards expanding access as an attitude, a necessary adaptability shared with water; Crip’d Fleets: Overflows + Disruptions collectively navigates waterfront accessible points across NYC to be with water and co-create virtual and physical performances, conversations, Access Orange Accessible Water Intimacy Point Flags and a Disability Cabaret on an accessible Boat! 

moira’s co-creative work is embodied research towards co-creating, negotiating waterfront planning policy and making accessible waterfronts and beaches. 

 

Waterfront Access Mapping: Wayfinding wellness along the edge by Zoey Hart

Waterfront Access Mapping: Wayfinding wellness along the edge by Zoey Hart

Waterfront Access Mapping: Wayfinding wellness along the edge. Both A folding pocket manual and virtual media document, waterfront access mapping is an interactive criticism and re-imagining of waterfront wayfinding by, for and with disabled bodies.

Estuarial Council of the Weeds Hand Roll

Estuarial Council of the Weeds Hand Roll by andrea haenggi 
A somatic sensuous outdoor gathering near the water’s edge on Governors Island. Together we will witness and participate in the unrolling of the Estuarial Council of the Weeds Hand Roll and hear from seaweed bladderwrack,the speaker of the Council. Then, collectively, the audience, performer EPA agent andrea haenggi, Maho Ogawa and bladderwrack will bring the roll into the gallery where it will hang for the duration of the Triennial Exhibition. The Hand Roll is a proclamation documenting the first official actions of the Estuarial Council of the Weeds, which invited the NYC Mayoral Candidates to a meeting on the shoreline of Marsha P. Johnson State Park in Brooklyn on the Summer Solstice.

WoWHaus WaterFalls

WoWHaus Waterfalls by sTo Len and the WoW team 

A large scale printmaking installation created with debris picked up around Governors Island and water from the Buttermilk Channel. Inspired by a recurring dream of a flooded house, the scroll-like prints and long flowing fabrics fall out of the windows of Works On Water’s residency building. The prints themselves act as a visual language that decodes the familiar shapes of common trash that washes up on our shorelines well as the natural patterns that water creates while referencing the aesthetic signaling of squats and banner dropping.

Long Distance Dedication (Now On With the Countdown)

Long Distance Dedication (Now On With the Countdown)
by Nancy Nowacek and Carlos Alomar

This 2-channel sound sculpture expresses the uncertainty, grief, and tumult of our present moment through appropriated background vocals from 1970s pop songs, written during a similar time of political, social and environmental upheaval. A Greek Chorus for the earth herself, it serves as a collective voice for the more-than-human world who bears witness to the rapidly escalating effects of climate change and the political agendas determined to disavow it.

Proximity Study (Sight Lines)

Proximity Study (Sight Lines) by Elizabeth Webb 

Proximity Study (Sight Lines) is an attempt to measure closeness despite temporal distance. My grandfather (whom I never met) worked as a longshoreman on the Brooklyn waterfront for 37 years. From Governors Island, I am able to look directly at his place of work; many years ago, he would have returned my gaze from the other side. I filmed the docks with 16mm and rowed in the channel between these two locations. The film print trailed behind the boat, tracing our route, recording our sight lines, and reaching to bridge the distance across the channel. Yet, the longer we rowed, the more the water erased the image.

Special thanks to Julia Sharpe, Marie Lorenz and the Tide and Current Taxi.

CHONY

CHONY by Scott Szegeski

CHONY was built 50 years ago in Sheepshead Bay, and is a lake sailor, due to the smaller keel size and low draft depth making it possible to clam, fish and explore the shallow back bays of long island. My plan is to take chony around governor's island and record what the environment around us. I will use my main artistic medium of gyotaku printmaking to build a large scale "display" to show these prints. The display will be made of koji paper prints of different parts of CHONY, and found objects salvaged while exploring the island.

Fouling Communities

Fouling Communities by Perrin Ireland 

Fouling Communities is a visual study of the marine invertebrates populating Buttermilk Channel and broader New York Harbor. Based on research by students at the Harbor School, this work explores the building patterns of soft bodies through mixed media on paper, canvas, and mylar. 

The animals included are sometimes referred to by science as being members of “fouling communities” because of the way they “colonize” man-made structures in bodies of water like piling, ship hulls, and marinas. These paintings examine soft tissue communities expanding and iterating themselves.

clepsydra

clepsydra reimagines this ancient timekeeping mechanism in modern materials. An ancient time-measuring device, a clepsydra functions by measuring the flow of water from one chamber into another. Used around the world in many iterations, a clepsydra (the ancient Greek name) was originally designed to be independent from that which was visible or invisible because of shifting weather and atmospheric conditions (i.e. sun, moon, stars clouded over). A water clock relies on the interaction of gravity, pressure, and geometry. 

clepsydra relies on water collected from the harbor in which Governors Island is located. Installed within the WoWhaus, Clepsydra measures the passage of twelve hours. As the water drips from the top chamber to the bottom, drawings incised into plexiglass emerge, refract, disappear, and layer onto each other.

Fall (2021), a split channel video, combines animation and text to meditate on time, loss, gravity, and breath. The stop-motion animation comprises over 900 prints, whose images range from birds, angels, numbers, moons, and figures from art history. The images morph into each other, transfiguring themselves. Traces of past images makes visually apparent the notion that time layers on itself constantly. Fall weaves through mythic stories, history, and contemporary news in an attempt to make sense of the present  一 a period of enormous, incalculable loss. From a single copper plate whose surface evolved over hundreds of impressions, the prints use various printmaking techniques such as drypoint, caran d’arche crayons, aquatint, stencils, and ghost prints to achieve a delicate quality of touch. 

Grieving Angels (2021) is a series of intaglio prints that plays with a unique symbolic language that reminds us that grief has and will exist forever. Within the series, there are seven compositional types, yet each print is unique. Each print contains nine plates 一 an angel framed by eight shaped plates. The angels are copies of those Giotto painted in the Scrovegni Chapel in the 14th century. Devastated by the crucifixion, their faces and bodies contort in response to their grief over Christ’s death. Alternately reminiscent of stained glass windows and religious architecture, the series calls to mind faith-based practices of grieving. The cyanotype chinecolle pieces contain images of seagulls, numbers, weather patterns, airplanes, x-rays of teeth, falcons, and hazes of blue/purple/cyan. A suggestive 一 yet elusive 一language of loss emerges.

www.kate-liebman.com
@kateliebman5000

Channel: Key from the City

Nancy Nowacek

Channel: Key from the City is an offering of water made to each NYC Mayoral candidate. It is a gesture that embodies the power citizens give—and trust they place—in their elected officials. It reminds candidates of two realities: the first is that power is fluid and dynamic. The second is the central and critical role that the waterways play in every facet of the city’s life and future. Each candidate’s willingness to accept the offering and pledge to heed New Yorkers’  voices represented in the next Comprehensive Waterfront Plan, and thereby tend the city’s edges will demonstrate their understanding of New York City as a city of water.

Sunk Shore

Carolyn Hall and Clarinda Mac Low

The Sunk Shore tour guides (Carolyn Hall and Clarinda Mac Low), in collaboration with the Tending the Edge artists, will explore the City’s Comprehensive Waterfront Plan and interpret the city-wide Tending the Edge projects by engaging visiting audiences in time travel conversations and imaginings towards a climate-changed future. How do our efforts today play out in 2050? What edge will be left to tend?

Water in the Streets

Sarah Cameron Sunde

in collaboration with Nathan Kensinger and Rockaway Youth Task Force with support from Beach64Retreat

At high tide during the full moon in May, as Jamaica Bay spills into the streets in Far Rockaway, Sunde and local collaborators will stand in the streets with the rising water. Constituents and Mayoral Candidates are invited to join in and bear witness to the encroaching edge. The performance will be filmed and shown for all New Yorkers’ to see this monthly flooding. 

This work is an extension and research-based part of Sunde's large-scale series of site-specific performances and video artworks, 36.5 / A Durational Performance with the Sea, 2013 - present, which will culminate at the Cove at Socrates Sculpture Park in 2022.

Between the Sea and the Shore: Storytelling in Far Rockaway

Ella Mahoney

Knowing that the stories we tell about the relationships we have with the earth affect how we interact with it, “Between a Sea and a Shore” explores our relationships with the shore through people’s stories with water asking them the questions; “what is your story with water?” and “how do you care for the water, or how does it help you care for yourself?” Ella Mahoney will be recording stories primarily from people of color accessing the shore and water of the Rockaways. From late April to June, she will interview and record surfers and beachgoers voices and create a large-scale silk painting in response to the conversations. In June the painting will be carried into the water as a performance and public presentation.

Sensory Diagnostics Manual : Wellness at the Edge

Zoey Hart

Waterfront Access Mapping envisions waterfront access as a wellness journey. How do we, as interabled bodies, make our ways to the water’s edge? Towards expanding the conversation around ‘waterfront access points’, waterfront access mapping will chart the visual and narrative paths of diversely-abled bodies as we navigate journeys to waterfront access points across NYC. To illuminate the interdependent complexities of access-centric navigation, the collaborative maps and performative processes of these waterward journeys will be incorporated within the Sensory Diagnostics Manual : Wellness at the Edge - a participatory guide to be made available in print or as a downloadable pdf, inviting public participants to witness wellness and water as interconnected ecologies.

Symbiotic Estuarial Annotation (SEA): Harbor(ing) Multispecies Wisdom Along the Water’s Edge

andrea haenggi

Estuarial Assembly: Council of the Weeds is a somatic research investigation exploring the East River’s edge, inviting local spontaneous urban terrestrial and aquatic plant experts to respond to the Waterfront Comprehensive Plan (WCP). Through dance and sound, agent andrea haenggi will engage with plant experts and the vital “sea body” to hear their voices, as well as a series of talks with community members to speak about resilience and healing in relation to the multispecies coastal commons we collectively share. The project will culminate in an invitation to Mayoral Candidates to join us for a walk along the shoreline to imagine what multispecies commoning could be for a coastal city. The voices and experiences shared will be integrated into a Public Healing Report in the form of annotations to the WCP document and propelled into a public performance entitled, Thank You Estuarial.

andrea haenggi with

  • (collaborator) Estuarial Assembly: Council of the Weeds are urban spontaneous terrestrial and aquatic vegetation living, breathing, and thriving on the shoreline of the East River. They are known for their resiliency and can handle the hotter summers, heavier storm runoff, and increased carbon dioxide that have come with global warming. They tend to each other, evolve with humans, and bring their wisdom as speculative future flora to the question of survival in a warmer world.

  • (collaborator) Christopher Kennedy (he/him) is an EPA agent and advisor for this effort. He is the assistant director at the Urban Systems Lab (The New School) and lecturer in the Parsons School of Design. Kennedy’s research focuses on understanding the socio-ecological benefits of spontaneous urban plant communities in NYC, and the role of civic engagement in developing new approaches to environmental stewardship and nature-based resilience.

Brownfield Boating: Paddling tours of Flushing Creek

Cody Ann Herman

with Mayoral, Queens Borough President, and City Council District 20 & 21 candidates in collaboration with Guardians of Flushing Bay

Brownfield Boating invites New York City (NYC) mayoral candidates, Queens Borough President candidates, and NYC Council District 20 and 21 candidates on paddling tours of Flushing Creek in collaboration with Tending the Edge and Guardians of Flushing Bay. Tours will explore the disconnect between current plans for the waterfront and the next NYC Comprehensive Waterfront Plan produced by the NYC Department of City Planning. Candidates will have a chance to kayak or canoe in Flushing Creek, check in on nearby oyster cages, explore combined sewage overflows up close, and discuss details about the numerous plans for development along Flushing Creek and Flushing Bay.

(Re)imagining Greenpoint’s Green Waters

Ray Jordan Achan

As a way to understand and to (re)imagine the complicated and polluted history of Newtown Creek, artist and Greenpoint resident, Ray Jordan Achan will create a short documentary film based on his own investigations, photographs, interviews and archival material. Ray methodology uses archival material as a way to (re)create New York City’s past, understand it’s mistakes - such as governmental and environmental neglect, to learn how to remedy these missteps and to (re imagine sustainable climate solutions for the future. To open the conversation, (Re)imagining Greenpoint’s Green Waters will be accompanied by a panel discussion on climate equity and how to prioritize low-income, Black and brown folxs who continue to get displaced when new public amenities such as waterfront parks are created.

Pulp Mobile: Papermaking on the Edge of the East River

Rejin Leys

PulpMobile is a mobile papermaking studio by artist Rejin Leys that uses public space and paper recycling to prompt interaction and discussion between neighbors. For Tending the Edge, Rejin will bring her PulpMobile to the East River, and invite people to make paper with her. In order to prompt awareness and discussion about the waterfront, a selection of poems/texts/images that highlight recreation, shipping, transportation, or climate issues will be provided, and people can choose from containers of shredded copies of those materials to use as inclusions in their paper. Masks and spacing are required, and hand sanitizer will be provided for use before and after participation.

Yucca: Learning from Wetlands

Simone Johnson

Yucca is a summer research project that sits in the in-between; it is led by seeing what happens, Simone’s water futures practice and what author Bayo Akomolafe calls “an activism of inquiry”. Follow Simone’s journey as she documents her experiences visiting Jamaica Bay Wildlife Refuge in Queens, NYC, as well as her speculations on the desires and imaginations of wetlands, especially as it relates to land development in NYC. This project aims to respond to and be in dialogue with a set of curated multimedia content and conversations, and the New York City Comprehensive Waterfront Plan. Yucca also includes Simone’s pilot Blue Planet Free School, which will host a series of weekly workshops focused on learning about wetlands into early July.

Learn more about Yucca on Simone's Are.na page.

Attunement: Listening to the New York Waterfront

mayfield brooks

This project is born out of artist Mayfield Brooks' investigation into the sonic lives of whales and how they perceive the world through sound. Additionally, brooks has been exploring the correlation between the present and historical industrialized bodies of whales and Black people from whaling to slavery. A little known fact is that some slave ships were later used as whaling vessels. Through this research comes a sonic residence with grief and a commitment to listen more closely. If we were to take hints from how whales understand their world sonically, could we learn how to listen better? Perhaps the blues is a prescient corollary? What music draws us to the edge? This project encourages listening as a way of perceiving in order to understand the vibrant, intricate life along the NYC shoreline. The public will be invited to listen to the shoreline, and sounds will be experienced through live stream, guided silent walks, and other engaged activities.