Aaron Beebe
Desiree Des
Victoria Catherine Chan
Patterson Beckwith
Natasha Muhoza
Emily A. Gibson
Creative Traffic Flow
Dawn Crandel, Jeesun Choi, Kristin Rose Kelly
Silvina Lopez Medin & Wo Chan
Dena Igusti
Valerie Sullivan Fuchs
Valerie Sullivan Fuchs is a visual artist primarily working in video, video installation, creating new media video installations by using sustainable practices. Her interest in science, technology and spirituality creates a tension in her landscape based works solar powered generating pieces, solar light boxes, and more recently hydroelectricity. Her deep affection for the rural landscape, began on the sustainable farm she grew up on in Northern Kentucky, is reflected in artwork of primarily landscapes and the relation we produces a new way to think of the landscape of the land, emphasizes the unseen, invisible relationships of medium to nature and each other and how these attitudes and values affect the land. Fuchs’ artworks of landscapes In 01:02;08, Fuchs filmed a nearby field of waving grass, then printed each frame and projected it back onto the stack of printed stills, disrupting the images of Fuchs is a Kentucky rural based/raised artist with artwork in major collections including 21c Museum, Louisville, & Revive Corporation, Laura Lee Brown & Steve Wilson and others. She has exhibited nationally and internationally including, Sweden, Estonia, Austria and California, and New York, NY.
Christina Catanese
Christina Catanese works across the disciplines of dance, education, environmental science, and arts administration to inspire curiosity, empathy, and connection through creative encounters with nature. As an artist, she has participated in residencies at the Santa Fe Art Institute, Signal Fire, Works on Water, and SciArt Center, and has presented her work throughout Philadelphia and the region. As the Director of Environmental Art at the Schuylkill Center for Environmental Education, Christina oversees all aspects of creating and implementing an environmental art exhibition program in the nature center’s 340 acres of forests, fields, and gallery spaces. Attending University of Pennsylvania, she has a Masters in Applied Geosciences and a BA in Environmental Studies and Political Science.
Photo by Robin Michals
Tessa Grundon
Carolyn Hall
Carolyn Hall is a Brooklyn, NY based Bessie award winning freelance dancer/performer, historical marine ecologist, and science communication instructor. As a freelance ecologist her research focuses on the past and present impacts humans have on shoreline ecosystems and the creatures within them. She is increasingly invested in combining her artist and scientist halves in public processes to make data-rich science more understandable, embodied, and memorable for the general public.
For her WoW residency, she will be asking questions about New York City’s long history and current relationship to fish and fisheries through an installation and embodiment of timelines. Timelines that span from "prehistory" to today. Timelines that explore connections stemming from documentations of fish species in NYC waters to our past and current questions about residence, im/migration, fluid boundaries, consumption, the value of an object vs. a living contributor to an ecosystem, and economy.
photo credit: Tara Duffy
Maggie Haslam
Maggie Golightly Haslam (b. Washington DC) studied painting at Brigham Young University and received a masters at Pratt institute. She currently lives and works in NYC as a painter and paper maker. She primarily uses water based paints on paper while exploring the essential characteristics of these components, which has led to a greater focus on the process behind her work. She strives to be conscious in her consumption of and seeks meaningful sources for her materials in order to reach a goal of becoming a self-sustained, waste-free, conceptual artist.
Elizabeth Velazquez
Elizabeth Velazquez is an interdisciplinary artist and a public school visual arts educator. She is one of the founding members of SEQAA- the Southeast Queens Artist Alliance, which is an artist collective focused on working in SEQ. In 2020 she participated in the Winter Workspace Residency Program at Wave Hill, located in the Bronx. Velázquez has exhibited and performed at venues throughout New York, including Cigar Factory, Knockdown Center, and NARS Foundation.
Art Jones
I work with film and video, photography, sound, and objects. I often use music, field recordings, text, live action and animation to produce hybrid documents (with narrative suggestions).
‘First Contact’ is an installation and media performance-in-progess. The basis of the piece is the correspondence from the period of 1759 to 1769 between Medford, Massachusetts slave trader Timothy Fitch and the captains who sailed his ships. These letters are a mode for examination of the irrevocable point of contact where bodies meet- the intersection of the Atlantic Ocean and the Caribbean Sea, and also the meeting of British settlers and the Africans whose contact, collision, and conflict will eventually produce the ‘Americans’.
During the 2019 WoW/UNY residency I will produce video, sound, photographs, and objects relating to these historical points of contact and the ripples that affect our present moments.
Gab Cody, Sam Turich, & Philip Sanchez
Daylighting the Stream is an immersive, hypnagogic exploration of the subconscious mind, buoyed by scientific and documentary material. We draw parallels between bodies of water and our bodies made-of-water, and the interplay between the conscious, subconscious and dreaming minds. Participants will believe they are dreaming.
Daylighting the Stream draws inspiration from the subterranean rivers of New York and Pittsburgh. “Daylighting” describes an infrastructure project that re-exposes natural waterways that had been covered for urban development. Following successful daylightings of Seoul’s Cheonggyecheon and the Sawmill River in downtown Yonkers, NY, a daylighting of the Panther Hollow waterway in Pittsburgh is underway. The immersive encounters are intensely personal, and give participants layers of agency that encourage them to confront their roles in the past, present and future of human interactions with water and waterways. Urban development has buried the constant movement of water under our feet, but these streams from the past still exist, waiting to be rediscovered. Daylighting these streams exposes humanity’s past interactions with water, and provides a map to our future relationship with this most important natural resource.
Alex Branch
/Rive
Samara Smith, Ashok Basawapatna, Laura Chipley