Group 1

Amy Wetsch

Amy is a NYC based multidisciplinary artist and educator originating from Louisville, Kentucky. Her artistic practice spans from creating installations, paintings, drawings, mixed media sculptures, to publicly engaged works. Amy’s work examines the intersections of various sciences and investigates ideas of the internal and external struggles of the human body. Her work focuses on lifting chronically ill voices while shedding light on the mistrust in our modern-day medical systems. Another large facet of her practice focuses on collaborating with people in diverse scientific fields such as planetary scientists from Johns Hopkins University and NASA. She believes there is a healing power emitted when communities come together to reflect on the wonder and awe of the world around us and the power of the human imagination. 

Amy received her BFA from Western Kentucky University (WKU) and her MFA from the Maryland Institute College of Art (MICA) in the Mount Royal School of Multidisciplinary Art. Amy has exhibited her work in various galleries and museums nationally, including The Kentucky Museum, The National Academy of Sciences, The Museum of Contemporary Art Nashville, and in galleries throughout New York City. Amy has attended artist residencies such as the Trestle Art Space Residency and the Post Contemporary Residency. She was selected as a 2018 HEMI/MICA Extreme Arts Fellow, a 2018 National Academy of Sciences fellow, and selected for a 2019 European Space Agency conference in Madrid, Spain. Amy is also a lead artist on the newly selected NASA mission, Dragonfly.

Cory Tamler

Cory Tamler has created and participated in research-based performance projects in the United States, Germany, and Serbia, and has worked with museums and companies including the New Museum for Contemporary Art, The Civilians, Martin E. Segal Theatre Center, James Gallery, Sprat Artistic Ensemble, Yinzerspielen, and the School of Making Thinking. A core artist with civic arts organization OpenWaters(Maine), Cory has written a play about small-scale farming and a book of performance scores based on migratory fish. Cory was a Fulbright Scholar (Berlin) and her academic and critical writing and translations have been published in The Mercurian, Studies in Musical Theatre, Asymptote, Culturebot, The Offing, Extended Play, Howlround, and SCENA. As a Ph.D. student in Theatre and Performance at The Graduate Center, CUNY, she studieswaterdramaturgy andworksto connect physics and theatre as historically determined stories about the world. She teaches in the Department of Theater at Brooklyn College and is a member of Commitment Experiment, an experimental performance collective in Brooklyn.

www.corytamler.com

Christina Catanese

Christina Catanese works across the disciplines of dance, education, environmental science, and arts administration to inspire curiosity, empathy, and connection through creative encounters with nature. As an artist, she has participated in residencies at the Santa Fe Art Institute, Signal Fire, Works on Water, and SciArt Center, and has presented her work throughout Philadelphia and the region. As the Director of Environmental Art at the Schuylkill Center for Environmental Education, Christina oversees all aspects of creating and implementing an environmental art exhibition program in the nature center’s 340 acres of forests, fields, and gallery spaces. Attending University of Pennsylvania, she has a Masters in Applied Geosciences and a BA in Environmental Studies and Political Science.
Photo by Robin Michals

https://christinacatanese.wordpress.com/

A.E. Souzis

A.E. Souzis is a New York City-based writer and interdisciplinary artist. Through her writings and site-specific projects, she uses storytelling and technology to uncover or reimagine public space, alternative or underground histories and real-life networks of power. Her essays and fiction have been featured in publications including Urban Omnibus, Underwater New York and the book anthology Traveler’s Tales: Prague, and her walking tours and installations have been exhibited at Queens Museum, Transit Museum and Art in Odd Places festival, among other venues. She is also a member of /rive, an artist collective focusing on site-specific, locative projects that meet at the intersection of psychogeography, locative media and documentary narrative.
During her time at the 2019 WoW/UNY project space, she will be developing an experimental climate change fiction walking tour of Governors’ Island. The tour, inspired by participants’ feedback from her 2018 WoW/UNY residency with /rive collective, will feature stories and drawings that explore future (watery) incarnations of New York City.

http://www.aesouzis.com/

Carolyn Hall

Carolyn Hall is a Brooklyn, NY based Bessie award winning freelance dancer/performer, historical marine ecologist, and science communication instructor. As a freelance ecologist her research focuses on the past and present impacts humans have on shoreline ecosystems and the creatures within them. She is increasingly invested in combining her artist and scientist halves in public processes to make data-rich science more understandable, embodied, and memorable for the general public.
For her WoW residency, she will be asking questions about New York City’s long history and current relationship to fish and fisheries through an installation and embodiment of timelines. Timelines that span from "prehistory" to today. Timelines that explore connections stemming from documentations of fish species in NYC waters to our past and current questions about residence, im/migration, fluid boundaries, consumption, the value of an object vs. a living contributor to an ecosystem, and economy.
photo credit: Tara Duffy

http://www.carolynjhall.com/

Art Jones

I work with film and video, photography, sound, and objects. I often use music, field recordings, text, live action and animation to produce hybrid documents (with narrative suggestions).
‘First Contact’ is an installation and media performance-in-progess. The basis of the piece is the correspondence from the period of 1759 to 1769 between Medford, Massachusetts slave trader Timothy Fitch and the captains who sailed his ships. These letters are a mode for examination of the irrevocable point of contact where bodies meet- the intersection of the Atlantic Ocean and the Caribbean Sea, and also the meeting of British settlers and the Africans whose contact, collision, and conflict will eventually produce the ‘Americans’.
During the 2019 WoW/UNY residency I will produce video, sound, photographs, and objects relating to these historical points of contact and the ripples that affect our present moments.

https://vimeo.com/artjones

Clarinda Mac Low

Clarinda Mac Low began in dance and molecular biology and now creates participatory events investigating social constructs and corporeal experience. She is Executive of Culture Push, an organization linking artistic practice and civic engagement, and one of the co-founders and core team members of Works on Water. Mac Low’s recent work includes: “Sunk Shore,” a speculative tour of the future; “Incredible Witness,” game-based investigation of the sensory origins of empathy; “Free the Orphans,” spiritual and intellectual implications of intellectual property in a digital age; and "Cyborg Nation," public conversation on the technological body and intimacy. Residencies include MacDowell, Yaddo, and Mount Tremper Arts. Grants/Honors: BAX Award, Foundation for Contemporary Arts grant and Franklin Furnace grant. She has received BA Dance and Molecular Biology (Wesleyan University) and and MFA in Digital Interdisciplinary Arts Practice (CCNY-CUNY).