Magali Duzant
Asya Graf
Jean Carla Rodea
Jean Carla Rodea is an interdisciplinary artist and educator from Mexico City and currently based in Brooklyn, NY. Her work involves a variety of disciplines and mediums such as music, sound, performance, movement, photography, video, and sculpture.
Her artistic practice deals with spaces and instances where socio-political and cultural constructs are rendered visible through multi-media installations and performance.
Rodea is invested in understanding how time is insistently constructed through memory and how these memories whether embodied or recorded in spaces are documented and re/constructed. Archival research – whether it takes place in an institution or her personal archive – often leads her to draw from fiction and speculative history around documents, physical traces, and spaces. Rodea has performed extensively and shown work at Roulette, Carnegie Hall, BRIC, Knockdown Center, Judson Church, Danspace, Center for Performance Research, Panoply Lab, Rio ll Gallery, The Clemente, El Museo de Los Sures, to mention a few.
David Andree
Nathan Kensinger
Presented in the Project Space in 2019,
Shoreline Change: New Films by Nathan Kensinger & Nate Dorr
Shoreline Change is a collection of recent films created by Nathan Kensinger and Nate Dorr, who have been collaboratively documenting the waterfront of New York City for the past 13 years. These works investigate the rapidly changing coastline of the city, where frequently flooded neighborhoods are now being demolished to make way for either new wetlands or new residential towers. As New York City contemplates how to best address the existential threat of sea level rise, these works excavate its complicated history of polluted landfills and degraded wetlands, while considering visions of a multi-species future shaped by water.
Meredith Drum
For her 2019 residency, Meredith Drum will be working on People of the Desert 122° F
A meditation on the past and future of this city: here the Ancestral Sonoran Desert People constructed the largest Pre-Columbia irrigation system in North America, history obliterated by the colonial construction that became contemporary Phoenix. Now over 150 people die each summer from heat-related trauma, and with a record high of 122° F what happens at 129° - adaptation or abandonment?
Clarinda Mac Low
Clarinda Mac Low began in dance and molecular biology and now creates participatory events investigating social constructs and corporeal experience. She is Executive of Culture Push, an organization linking artistic practice and civic engagement, and one of the co-founders and core team members of Works on Water. Mac Low’s recent work includes: “Sunk Shore,” a speculative tour of the future; “Incredible Witness,” game-based investigation of the sensory origins of empathy; “Free the Orphans,” spiritual and intellectual implications of intellectual property in a digital age; and "Cyborg Nation," public conversation on the technological body and intimacy. Residencies include MacDowell, Yaddo, and Mount Tremper Arts. Grants/Honors: BAX Award, Foundation for Contemporary Arts grant and Franklin Furnace grant. She has received BA Dance and Molecular Biology (Wesleyan University) and and MFA in Digital Interdisciplinary Arts Practice (CCNY-CUNY).
Micki Watanabe Spiller
Alta Buden
Rejin Leys
Rejin Leys is a mixed media artist and paper maker based in New York whose work has been exhibited internationally and is included in several public collections. Her PulpMobile papermaking studio on a cart is an interactive public art project which has been active at community events and public art festivals. Leys is a recipient of a fellowship from the New York Foundation for the Arts. She received a BFA from Parsons School of Design and an MFA from Brooklyn College.
